In the year 2019, Earth has been subsumed by the Super-Corporation, a global entity that has established a sterile, joyless dystopia where sexual intimacy is strictly banned and erased from public memory. The population is sustained through industrial-scale artificial reproduction, resulting in a generation of test tube teens who are entirely ignorant of biological reproduction and the concept of physical pleasure.

The film suggests a future where corporate HR policies have evolved into absolute state law, enforced through brainwashing and lethal technology. The Super-Corporation maintains control by deploying relentless cyborg assassins to eliminate any potential for rebellion or the rediscovery of "ancient" human passions. Earth is portrayed as a cold, mechanical environment where human biology is managed like a corporate asset, leading a group of students to utilize experimental time travel technology to flee back to 1994 to prevent the ban's inception.

While the film’s vision of a sexless 2019 proved to be a campy exaggeration, its depiction of corporate-state fusion reflects real-world anxieties regarding the increasing influence of mega-corporations on social norms and legislation. The movie’s reliance on ectogenesis (test tube babies) as a standard for society anticipates modern ethical debates surrounding artificial womb technology and advancements in reproductive science, though the film presents these advancements solely as a tool for authoritarian control. No more than three analysis-quality sources cover the specific predictive accuracy of this low-budget production, leaving much of its worldbuilding as a hyperbolic reflection of 1990s cultural anxieties.